Thanks Roger,
The consignment option works best for me, and I know of lots of places to display my work. This way production doesn't have to increase and you don't necessarily have to fill orders or make any two boats the same. I honestly feel that two identical copies of anything destroys me. It just takes all of the enjoyment that I get away. Every model (or full-sized for that matter) should be totally unique, in my mind. It just offers more challenge and gives completely different sensations upon completion.

I understand completely about just pricing your work and seeing if it sells. Start a tad high, and go down from there. If they all sell instantly, raise it again, just alittle. Thanks for the tips.
SMF

: In a photo marketing class I took, the teacher said, "Charge what the
: market demands". For instance, I can take school portaits for $15 a
: package or an advertising portrait for $1500. If I can regularly sell the
: $1500 portrait then I've correctly addressed my market. If no one knocks
: on my door then either I'm overpriced or am addressing the wrong market.
: If I'm beating off customers with a stick and have an 18 month waiting
: list, then I'm probably unferpriced, but have found a strong market.

: So, depending on a whole lot of variables, you may only be able to charge $25
: or maybe it's $850. Research it, price it and see what happens. Then
: adjust future sales accordingly.

: Another thought. If you want to sell at tourist traps, See if you can sell on
: consignment. I find that to be a win-win for both the artist/craftsman and
: the store owner.

: Roger